Showing posts with label Human Target. Show all posts
Showing posts with label Human Target. Show all posts

Action Comics #432: "The Million-Dollar Methuselah Contract"

Action Comics #432
"The Million-Dollar Methuselah Contract"
February, 1974

Len Wein: Writer
Dick Giordano: Artist
Julius Schwartz: Editor

Multi-millionaire Henderson Repp is an oil man. Whereas other
oil magnates leave the day-to-day operations to others, he still takes
personal charge. Everyday, he can be seen riding his big 1200 C.C.
motorcycle, overseeing production, speaking with his people. This would
not be out of the ordinary, unless you take into consideration the age of
Henderson Repp, as well as being one of the ten richest men in the nation,
he is also one of the oldest, and as his motorcycle is rocked by a sudden
explosion, it's obvious that someone doesn't want him to get any older.
On the other hand, someone wants to make sure that he did. That's why the
multi-millionaire has hired Christopher Chance, The Human Target.

Having heard the sound of the approaching bazooka shell seconds
before it struck, Chance had already hurled himself from the cycle when
the ground moved under him. He manages to roll with the fall, and
absorbs the impact. With the exception of an aching shoulder, he was
safe. The motorcycle had taken the brunt of the explosion, but still
he played possum on the dirt as one dead. If the sniper had seen
him move, his simulated death would become a reality. With the dirt
playing against his face, it was nothing like the sensation he had felt
when he had been sky-diving, practicing free-fall dexterity when he saw
the second diver. Upon closer inspection, the other diver turned out
to be a she, quite a comely messenger from the heavens. Repp had
stirred his curiousity. On the ground, Chance found the oil magnate
waiting for him. Seeing that The Human Target is everyone he had heard
about, Henderson Repp wishes to contract his services to save his
life.

As Repp's "secretary" changes from her skydiving gear, Christopher
listens as the elderly multi-millionaire speaks of the danger from his
great-great-great-grand-nephew, who would be the only one to benefit if
the oil magnate kicked the bucket. Not that he has anything against
dying, but better that it's a natural death, and Nephew Lester isn't
playing according to Hoyle. The nephew has hired a military man to do the
task for him. Repp figures that he needs someone to give him a fighting
chance at staying alive. Chance agrees to taking the contract, but it
will cost the oil magnate a pretty penny. Money is no matter to Henderson
Repp. He plans to take a pleasure trip, while "Chris-Boy" handles the
business and his "secretary," Deedee will be by his side to fill him in on
anything he'll need to know. As the multi-millionaire pats his "girl friday"
and says his goodbyes, Christopher Chance sees that this job will be a
pleasurable one. It was a new experience to become this particular customer,
using special latex make-up to age his face, neck, and hands, a multi-strap
harness beneath his clothing to simulate the stooped posture of an
elderly man, but when he was finished, The Human Target was Henderson
Repp. He remained in position for as long as possible, then slowly
staggered to his feet. The sniper had left, but he was not alone. A
motorcycle heads towards him, and it's not the sniper, or else he'd be
dead now. The rider is...

Deedee, who had just followed the smoke, and figured it to be
Christopher. She tells him to hop on, because they have places to go. A
little later, one of "his" wells has just come in, and Henderson usually
stops by to congratulate the men. "Repp" thanks the men for their
efforts and promises them a bonus. The workers figure that they were
just doing their jobs, and are admiring the sight of the gusher. A
temporary cap has been placed until it can be properly set tomorrow.
There is much pressure, but it should hold until tomorrow. That evening,
inside of Repp's ranch-house, "Repp" decides to review things with his
secretary, but there is no answer to his knock, and he had just
seen her enter the room less than an hour past. Feeling uncomfortable,
"Repp" kicks in the bedroom door, and sees that the room shows signs of a
struggle, and Deedee is gone.

Searching the room for clues, "Repp" notices the tape-recorder.
With the machine still on, he knows that it must have recorded what had
happened! "Repp" listens as Deedee was transcribing a few reports,
then an intruder arrived. Tired of chasing the elderly oil magnate, the
sniper plans to take the secretary to the oil fields, where they'll wait
for the old man to find her gone, then come running right into his
gun sight. The sniper was correct. "Repp" would come running. Knowing that
the assassin has the edge when it came to firepower, The Human Target knows
that the darkness would balance things, and a little deception would be in
order. At the latest of Repp's oil wells, the sniper watches from the tower,
telling a bound Deedee that if her "boyfriend" doesn't arrive in time, he'll
take out his frustrations on her. Tied to the oil well tower, she hears the approach
of a motorcycle. The sniper sees through his binoculars that it's Henderson Repp, and
finds it strange how an old man can ride so well. BRAT-AT-AT-AT... The military
mercenary figures that it's going to be his final ride.

To the mercenary's disbelief, his shots have struck down a
straw-stuffed decoy. Figuring this to be a diversionary tactic, the merc
knows that Repp will be coming in from another direction. He sees him,
but it's not the old man. No, it's Christopher Chance, The Human
Target. His disguise had served its purpose, giving the decoy its own
identity while strapped to the cycle. Outside, it would be his survival
skill which mattered, not his mastery of disguise. The rifle-bursts were
getting closer, and Chance has only time for one shot on the move, but he
always hits what he shoots for! SPANGG! Before the merc's gun can strike
the ground, Chris begins climbing. He was dealing with a insane killer, and
he had no intent of allowing him any chance to regain his senses. At the
command to surrender, the military assassin pulls the pin on a hand-grenade,
and threatens to release his grip, blowing them to kingdom come. There's
just one second for the Human Target to drop his gun or BOOM!

Chance seemingly has no other choice, as he slowly lowers his .357
magnum to his side, then pulls the trigger. BLAM! The Human Target
knows that the gun can blow a hole the size of a basketball in a human
being. One can well imagine what it can do to the seal of a well-cap.
The oil driller had told "Repp" that there had been lots of pressure on
the temporary cap. Christopher Chance had hoped he was right.
WHAROOOOOSHHHHH! The well-cap shudders once -- then twice -- and just
like "Old Faithful," unknown gallons of oil -- and a hired sniper are
sent into the night sky. Chris has just enough time to cover Deedee's
body with his own before the hand-grenade explodes, sending the
would-be assassin into the oily Earth. THWOOM! Unbelievably, the
assassin survived, and confesses his role in the nephew's plan to kill
his rich relative. Christopher Chance is confident that Henderson Repp
will be able to live the rest of his remaining years in peace! The oil
magnate tells "Chris-Boy" that's just what he's gonna do. His "secretary"
has just talked him into trying for the world's record for longevity.
The Human Target can only hope that he would be able to live long enough
to see if Repp succeeds.

The Human Target was created by Len Wein, Carmine Infantino, and
Dick Giordano.

Len and Marv Wolfman had also created the character of Jonny Double
for Showcase, and had intended the character to take the place of his
endangered clients in times of peril, hence the name "Double."

In the '70s, the Action Lettercol had readers wondering if Len had
patterned the character after the George Peppard TV show, "Banacek." It
turns out that the character of Christopher Chance had long since been
created before Wein had ever seen an episode of the television program.

Motorcycles were big in the '70s, with advertisements for toys based
on Evel Knievel, Daredevil Stunt Cyclist, as well as the character of The
Ghost Rider, who appeared in the pages of Marvel Spotlight during 1972.

Having met Dick Giordano in San Diego a couple of years ago, I
learned that he enjoyed drawing beautiful women, such as Wonder Woman,
Zatanna, Hawkgirl, and Black Canary. Seeing the artist do the
illustrations "live" was the nearest thing to magic I've ever seen when
it came to transforming a piece of blank paper into art.

Deedee is quite a looker, with long red hair, resembling Natasha
Romanoff, a.k.a. The Black Widow in appearance. She is also adept at
riding a motorcycle, ala The Black Canary.

Henderson Repp reminds me of what an elderly Jonathan Harris would
look like if he had played the role of the rich oil magnate. Indeed, it
is the late actor's voice I hear while re-reading the story.

The sight of a reel-to-reel recorder dates this story somewhat, but
doesn't detract from it.

Those of us who have kids and grandkids would probably get a kick of
showing them that at one time, a comic book cost no more than twenty cents,
not to mention that a story told in a mere seven pages satisfies the reader
than other books which take four issues to tell the same thing.

Thankfully oil's well that ends well, as Christopher Chance shields
the lingerie-clad Deedee from the grenade explosion, and proves to be
quite the gentleman, especially when compared to his client.

Steve Chung
"The Million-Dollar Methuselah Review"

Action Comics #423: "The Deadly Dancer Contract!"

Action Comics #423
"The Deadly Dancer Contract!"
April, 1973

Action-Plus From:
Len Wein,    Writer
Dick Giordano,    Artist
Julius Schwartz,    Editor

The key was found easily enough -- taped within the shower-head --
just as Hyram Walsh had told him. After locking his apartment door,
there was the wait for the elevator. The next job was to empty the
safe-deposit box and turn over the documents to the authorities, but
first, there's something he had to attend to. The spent door parted
noisily and before he can step inside, he is asked to hold the
elevator for two more. The two men are grateful for the save. Just as
their intended victim stands behind them in the cramped car, both pull
out their weapons of choice... a gun and a blade. This is Christopher
Chance's introduction to... "The Deadly Dancer Contract!"

The two young thugs had been shadowing him and Chris knew it.
He feigned surprise when the elevator car went past the lobby and
the three of them had an appointment in the basement. The basement was
just like any other, complete with dust, cobwebs, rubbish, and two
rats. The duo who slam "Hyram Walsh" against a dank brick wall. The
two hoods know that the fat accountant is wanted for a lot of money.
They want to know why anyone would consider him worth that kind of bread.
As the "accountant" begs for mercy and claims to know nothing, the
long-haired punk with the shades and the blade steps forward. The
blade doesn't go very far, as it is suddenly kicked out of the suprised
hood's hand.

Chance had figured that he had three seconds before the other punk
would use his gun. He was off by a split-second. BLAM! "Hyram"
executes a roll, reaches for the knife, then hurls it at his assailant...
pinning the other hood's suit-sleeve to the wall! Now no longer
resembling a frightened fat accountant, "Hyram" demands some answers from
the young punk, or else he'll wind up with a second grin. The two had
heard that someone would pay a lot to the man who spotted Walsh and
told him of the accountant's whereabouts. The two young punks were
overly ambitious, that's all. When asked about the "Dude," the
frightened punk describes him as a crazy guy who wears a hearing aid. He
also gave them a phone number where he could be reached. Once he had
memorized the number and dropped the knife as he said he would, The
Human Target uses his forearm against the hood's neck, until he slumped
to the floor unconscious. Christopher Chance had a long-awaited meeting
to go to, and he didn't want the surprise to be spoiled.

He had been out for a drive, when the bullet passed through his
car's windshield and put an end to his reverie. The intended target had
been a stowaway in his car. An accountant named Hyram Walsh, who was
trying to expose the syndicate, and he was being chased by a killer
with a hearing aid. A man named Dancer. Chris knew Dancer pretty
well. Two decades ago, as a boy, he watched in horror as Dancer
murdered his father. The Human Target had many reasons to take up the
contract, but he also had promises to keep, and a reputation to
maintain. Tossing a coin, he determined the fee, and he became Hyram
Walsh. The documents which were needed to damage the mob were in a
safe-deposit box. The key was in the accountant's apartment. Once
he had gotten there and found it, Chris had his first firm lead.
With Dancer's phone number, all he needed was an address.

Eager to make his appointment, "Walsh" rushed into the dark alleyway,
where brightness was cast upon him by the fast-approaching car being
driven by another punk covering the alley. The punk was no doubt
wondering what had happened to his two friends. From the way the car was
weaving, "Hyram" knew that the driver was on something. Seeing the
two glazed eyes behind the wheel, there was no doubt what his next move
would be. With the door locking behind him and the grim possibility
of being squashed to a pulp on the wall, "Walsh" leaps for the
fire-escape, which while old and rusty, the ladder-latch gives way to his
weight, and breaks through the windshield of the oncoming car. The
punk was out cold before the car hit the wall. Christopher Chance had not time
to see what was left. He had a promise to keep.

After calling a friend at the phone company, "Hyram Walsh" finds
himself outside of the Wilmer Theater, which would be the site of another
show. This particular one played out in real time. After making his way
backstage, Chance can sense the ghosts of actors who had played there,
and someone else. This particular contract would be too important for
the Human Target to lose. He sensed the motion behind him a fraction of
a second too late. BLAM! PTWANG! Dancer stepped out from the darkness
and "Walsh" could see his face. The clothes were different -- the
result of more blood money -- a bit of gray was present in the hair --
there were more wrinkles around the face -- but two constants remained --
the insanity still lurked in the eyes -- the humorless grin -- had not
changed in twenty years. The killer is surprised that "Walsh"
recognizes him. He is also grateful that the fat accountant had saved
him time and trouble in tracking him down. In this quiet theatre, no
audience will witness his death.

Dancer begins to pull on the trigger, just as "Walsh" pulls on the
ropes supporting the sandbag, which falls, and knocks the gun out of his
hand. After two decades, Dancer still moved swiftly. Running on
instinct, he went for his fallen gun, but "Walsh" was faster. The two
men fall towards the waiting gun, with Dancer seeking to plow through his
fat friend. He is "out-danced" by the "accountant," and thrown to
the floor on his chin. THWAAM!

The gun was covering Dancer before he can get to his feet. He
listens as "Hyram Walsh" speaks about having waited more than half his
own lifetime for this day. Dancer can only wonder why the accountant
would take a personal interest in him. He sees more clearly when "Hyram"
unmasks and the boy whose father he killed now stands before him as a
man. As anger roared within him, Christopher Chance watches as his
father's killer, the man he sought for twenty years, comes apart. In
the years since the murder of the elder Chance, Dancer knew that someday
he would face the same fate, and to him, it had arrived. It is now the
killer who is as a small boy, begging for his life to be spared. The
anger -- the will -- simply seeps out of Chance -- as he watches Dancer
find his way to insanity. Kneeling beside him, Chance tells him that no
one will hurt him anymore. When the police arrive to take Dancer
away, the two are still there, the contract completed.

I enjoy the story titles, as they remind me of the ones from The Man
From U.N.C.L.E.

Hyram Walsh resembles William Conrad, who would be playing the '70s
detective Frank Cannon.

Both young punks are wearing suits. I don't know if they'd be
considered leisure suits, but those hairstyles are certainly indicative
of the decade.

Like a certain darknight detective, Christopher Chance is
well-versed in the art of disguise, as well as interrogation.

Like a certain millionaire, Chance has his resources working for
him. Although he doesn't wear a cape, he does wear his share of masks in
his profession.

While Christopher Chance had Dancer (a grinning killer with a torn
heart tattooed on his right cheek), Bruce Wayne had Joe Chill, and in
both cases, each devoted his life to protecting others from what happened
to him. Although Christopher Chance charges a fee for his services, I
don't think he'd hesitate if there was a life in danger.

Chance's acrobatics and agility, plus his knowledge of hand-to-hand
makes him a formidable adversary. Unlike the caped crusader, he has no
qualms about using a gun.

Thankfully, Christopher Chance doesn't kill Dancer (and become like
his father's killer) and interestingly, the assassin becomes like a
frightened child when the Human Target catches up with him!

One of Christopher Chance's most interesting contracts occurred in
Detective Comics #518, where he assumed the role of Bruce Wayne, who was
threatened by the criminal sharpshooter known as Deadshot!

In the early '90s, Rick Springfield played the role of The Human
Target on ABC. Among the guests were David Carradine (Kung-Fu) as one of
Chance's mentors, R. Lee Ermy (Willard) as one of his clients, and John
Wesley Shipp (The Flash) as an actor who is impersonated by Chance in
another episode. Scott Paulin (The Italian Red Skull to Matt Sallinger's
Captain America) was another client for Chance.

The character and his back-up stories are certainly among those I'd
love to see collected into a DC Showcase.

Steve Chung
"The Deadly Review Contract!"

Action Comics #422: "The Shadows-Of-Yesterday Contract"

Action Comics #422
"The Shadows-Of-Yesterday Contract"
March, 1973

Each gear of the automobile was meshed in perfect precision. Christopher
Chance was back in Boston for a short time before he had the opportunity
to drive his 1937 Cord, and enjoy it. He wonders why any other sort of
car was produced in the name of progress. His ears hear the hum of the
Cord's engine, and his eyes are on the cobbled road ahead. The Human
Target is unaware of the man who was about to kill him. BLAM! The sound
of the shot was coupled with that of splintered glass, and the steering
wheel turns to the right as pieces of the windshield start to fall. The
Cord hits the curb hard, but Chance is searching the area for the
sniper's location, and finds it.

Since he was not under contract, the Human Target had no intention of
working for free. BLAM BLAM BLAM All Chris can see is the rifle
barrel, but he manages to hit what he aimed for. After entering the
building and running up the stairs, he reaches the rooftop. The sniper
is long gone. When Christopher Chance returns to his Cord, he wonders
how the sniper managed to miss his target. Seeing the wounded man in the
back seat, it turns out he didn't.

Without further thought, Chance helps the man to a sitting position, and
learns that he doesn't want to go to a hospital. There is fear and
desperation in the man's eyes. He has a job to offer the Human Target.
On the two top floors over Luigi's Restaurant on Beacon Street, the
proprietor tends to the wounded man. Once he has left, Chance would
learn more about the loss of a windshield. Hiram Walsh was an accountant
for Tall Towers Incorporated. It turns out that the corporation is a
"front" for the mob. Walsh learned this by accident and took some
incriminating material to turn over to the police, but he was found out.
The syndicate have hired someone to kill the accountant, and he'll keep
trying until the job is done.

When asked for a description of the hired gun, Chance learns that the man
is tall, dark-haired, has a hearing aid in one ear -- and a broken heart
tattooed on his right ear. Inside the mind of Christopher Chance, an
image of the assassin forms. He knew the man the accountant spoke of --
Chris had met him twenty years ago -- on the day his father died... Long
buried, his father's face appears once more, and Chris Chance is a boy
once more. The elder Chance wanted a better life and couldn't get it in
his job at the Income Tax Bureau. He takes out a small loan to invest in
the stock market, and plans to pay back double. The market killed his
father -- and the real killing would take place later -- after a brief
exchange on their front door. When they learn that he is broke, the
hired thugs plan to get what they are owed -- or their client will get
what's coming to him.

Weeks later, Chris and his father are walking home from the school gym,
when an armed man directs them into an alley. The Dancer's employer wants
Mister Chance made an example for other clients. As his father begs for
his life, Chris is frozen to the spot. His eyes grow wide as Dancer
thumbs back the hammer, and the young boy uses this moment to act.

The hired gun swats the youngster aside, then shoots down his target. At
the sound of the gunshot, all fear is gone from Chris Chance, and is
replaced by rage. Rage gives him strength, and his fingers tighten
around the Dancer's throat -- he can see the fear in the gunman's eyes as
well.

The Dancer manages to use a wooden milk-box to drive the boy off-balance,
but the sound of police sirens prevents him from any further shooting.
As the killer runs away, Chris Chance gets to his feet, and sees that his
father is still alive. His breathing is shallow, but he has enough
strength to exact a promise from his son. The father wants his son to
make something of himself, and not end up like his old man. He had tried
to be a target for his father, and failed. He will not fail again. That
night and in the weeks and months that follow, Christopher Chance
discovers that he no longer feels fear. With that in mind, he sets about
training himself for the career ahead.

Hiram Walsh's hand on his shoulder brings the Human Target back to the
present. The accountant wants to know if he'll protect him. Chance
works for a fee, but all the accountant has is a quarter. Christopher
Chance offers him a deal -- he'll flip him for the fee -- double or
nothing. Hiram Walsh watches as the coin completes its spin in the air,
is caught, and slapped against Chance's wrist. After satisfying himself
with the result, the Human Target tells his client that it's heads, and
Walsh has won. Unbeknownst to the client, Christopher Chance has his own
reason for taking the contract, and not even tails will dissuade him from
doing so.

As with Doc Magnus, Christopher Chance enjoys smoking a pipe while
driving around town.

Hiram Walsh bears a striking resemblance to William Conrad as "Cannon".

In Batman: Mask Of The Phantasm, a father's failure to pay off the loan
sharks brings about his death, and the origin of The Phantasm.

Among the training that Christopher Chance receives: boxing, judo,
gymnastics, and firearms.

Interestingly enough, one of the men featured in the training montage
bears a striking resemblance to Slade Wilson, AKA Deathstroke the
Terminator.

The flip of a coin means the choice between life and death for Harvey
Dent, AKA Two-Face.

Steve Chung
"The Shadows-Of-Yesterday Review"