Showing posts with label Doom Patrol. Show all posts
Showing posts with label Doom Patrol. Show all posts

Doom Patrol #121 (last issue)

DOOM PATROL #121; DC Comics; Sept.-Oct. 1968; Murray Boltinoff, editor;
featuring "The Death of the Doom Patrol?", written by Arnold Drake and drawn by Bruno Premiani.

(This review by Bill Henley is a rerun of sorts. I reviewed this issue
years ago in the SAR list's pre-Yahoo days. That review was long ago lost in a
hard disk crash, but some interest was recently expressed in seeing this
unusual issue reviewed again, so I've pulled out my copy to reconstruct the
review.)

Traditionally, from the Golden through the Silver Ages, comic books and
ongoing series cancelled by the publishers went quietly, with no official
announcement to the readers and no attempt at "closure" for the series. (EC was an
exception in this as much else, as several of their titles featured
"farewell" notices in the last issues.) The remaining fans of a dead series might
become aware only gradually that it was gone, as a new issue failed to show up
on the newsstands for months....or as something else showed up in the slot of
a cancelled series (as with the experience that seems to have scarred Roy
Thomas' childhood, when he subscribed to ALL-STAR COMICS and received only one
issue before the title converted to ALL-STAR WESTERN featuring "a bunch of
cowboys and Indians" in place of his beloved JSA. ) This may be because when a
publisher decided to cancel a title or series, they immediately stopped
production of new stories, giving no chance to write an "ending"; or because the
publishers and editors didn't want to be bothered with complaints and protests
from diehard fans of a cancelled series.

However, during the Bronze Age and later, it became increasingly common for
publishers to announce in the last issue (or even before) the cancellation of
a title, and sometimes to produce some sort of wrap-up to the series. That
trend may have started with this issue of DOOM PATROL. The DP launched in
1963 (initially as a feature in MY GREATEST ADVENTURE, which converted to DOOM
PATROL keeping MGA's numbering) as a team of freakish, bickering superheroes
strongly resembling Marvel's Fantastic Four. However, the early issues had a
pleasing combination of DC and Marvel styles and carved for the series its
own niche in the Silver Age. Later, DP suffered from an overdose of "camp"
humor during the Batmania era. With "camp" waning, the DP stories got more
serious again, but sales declined nonetheless. But editor Murray Boltinoff
seems to have had a special fondness for the title, and decided to make an
unusual effort to save it. And so, we come to this issue.....

On the cover (signed by Joe Orlando) spectral figures of the four original
Doom Patrol members-- Negative Man. Elasti-Girl, Robotman and The Chief--
stand (in the wheelchair-bound Chief's case, sit) despondently amidst their own
tombstones and open graves. "Death" covers were common in DC comics around
this time, but this time they meant business. The blurb is, "Is This the
BEGINNING or the END of the DOOM PATROL? YOU DECIDE!"

The splash page depicts story artist Bruno Premiani completing a panel of
the shocked DP members facing oncoming doom, and anxiously asking editor
Boltinoff, "It's true, Murray? They will die? You didn't tell me how to finish
this page? You're gonna kill our-- Doom Patrol?" Addressing Bruno but
pointing a finger directly at the reader, Murray Boltinoff replies, "I don't know,
Bruno! It's not up to me! Unless the 'Marines' send help, the Doom Patrol
will die after this issue! And you, jolly reader, YOU are the Marines! Only
you can save the Doom Patrol now-- and I KID YOU NOT!"

(Reportedly, this page was originally drawn to include writer Arnold Drake,
who had scripted every issue of DP, with help from Bob Haney on the debut
issue. But Drake was on the outs with DC management, possibly because of an
attempt to form a writers' and artists' union. Drake moved on to Marvel for a
while, and his image was retouched out of this story panel. Apparently, if
DOOM PATROL *had* continued, it would have been with a new scripter.)

Artist Premiani continues to lament the impending loss of the Doom Patrol;
Robotman, "tin man with a human brain"; Elasti-Girl, who gave up a movie
career for superheroics, "the biggest star role I ever played"; Negative Man, who
gained the power to control the super-fast energy being Negative Man at the
cost of being radioactive; "You win some, you lose some, Bruno!"-- and the
Chief, "greatest brain in the world!" Premiani again protests killing these
great guys off, but Boltinoff reiterates their fate is up to the readers; "Later
we'll tell them how they just MIGHT save the DP!"

As the actual story begins, a fiendishly grinning Madame Rouge-- the French
villainess with elastic powers who in previous issues had wavered in loyalty
between the Brotherhood of Evil and the DP's Chief-- prepares with her
henchmen to release a bomb on "Target Zero", an unassuming-looking house.
Meanwhile, her former Brotherhood of Evil colleagues, the disembodied Brain and the
intelligent gorilla Monsieur Mallah, wonder what Madame Rouge will do. Mallah
is pleased she has clearly turned against the Doom Patrol, but the Brain is
convinced she poses just as much of a threat to the Brotherhood. And he is
proven right sooner than he knows, since "Target Zero" is the Brotherhood
headquarters and the Brain and Mallah are literally blown sky-high by Rouge's
bomb. At Doom Patrol headquarters, the Chief learns of the apparent death of
their archfoes. Robotman and Negative Man are unfazed-- "There goes another fun
group!"-- but the Chief warns that the DP, and he personally, will be
Rouge's next target. "The only woman I ever-- loved-- is out to destroy me!"
Robotman scoffs, "Baloney! The Brain was probably knocked off by some other
criminal genius-- like the Kidney or the Lung!" Once again, Rouge proves him
wrong very quickly, as a car passing the DP headquarters rains machine gun fire on
the building. The DP members escape harm, but an innocent bystander on the
street is wounded. As Negative Man carries the man to the hospital.
Robotman gathers the spent bullets for ballistic analysis. But the Chief shouts a
warning, and Robotman shoves a "dud" shell under a sofa cushion just in time
to muffle an explosion. Knowing that the Chief would gather the bullets for
analysis, Rouge set up one as a "mini-bomb". "She knows all about us! Didn't
I generously take her into our little nest and teach her? GAAAAAD!"

Meanwhile, the remaining Doom Patrol member Rita Farr, aka Rita Dayton, aka
Elasti-Girl, is trying to spend some quality time with her husband,
millionaire Steve Dayton (an occasional DP ally, as the psychically-powered Mento,
but not a member). But between Dayton's financial dealings and college
teaching hobby, and Rita Farr Dayton's DP duties, the recently-weds don't get much
down time together. "Listen, sweetie, when are you gonna leave that gang of
far-out Boy Scouts!" "When they no longer need me, you know that!" And a
radio bulletin about the machine gun attack on DP headquarters tells Rita that
the team still needs her. As she puts on her DP uniform and rushes out,
Dayton gripes, "Marconi, drop dead!" Arriving at DP headquarters, Elasti-Girl is
startled to find Robotman and Negative Man aiming heavy guns at her. "Put
down those shooting irons!" "Not on your life! Madame Rouge just declared
all-out war! So if you want to sign up, this is the recruiting office!" But
a caption warns, "If you knew what was ahead, girlie, you'd burn your draft
card!"

As the story continues following a house ad for a "Lois Lane Wedding 80 Page
Giant", Rita learns how Madame Rouge is targeting her one-time lover for
death and confesses, "For the first time in the history of the Doom Patrol--
I'm REALLY scared!" The Chief tries to be reassuring; "As the youngsters say
today, don't lose your cool!" Then three mystery "blips" on the DP's
oscilloscope turn out to be helicopters dropping incendiary bombs on the DP's
mansion. Fortunately, the mansion itself is completely fireproof (I guess Rouge
didn't notice that when she was hanging out there) and two of the enemy choppers
are brought down by the DP's "hunter rockets", while Negative Man blows up
the third. But the attack leaves a scene of chaos in the surrounding
neighborhood; Negative man compares it to "London after the Nazi blitz", and Rita
thinks it resembles "Dante's nightmare of Hell", while to Robotman it just
reminds him of "my pal P. J. O'Mara's bar and grill after a Saturday night
fun-fest!" But the Chief is not feeling jocular and warns that Madame Rouge's
vendetta against the DP "endangers every living thing in the city!" Wilmer Boggs,
a representative arriving on the scene from the Federal government in
Washington DC, agrees, and delivers government orders for the DP to leave the city
and seek sanctuary until "the woman called Rouge can be hunted down!"
Robotman does not react well to the thought of running from a fight, especially
when Boggs threatens the DP with "deportation" if they don't leave voluntarily.
(Legally, of course, U.S. citizens can't be "deported", though they could be
arrested or placed in 'protective custody".) But Rita breaks up a
confrontation between Robotman and Boggs, and the Chief agrees for the team to
evacuate the city, much to Cliff's disgust. The disgust is increased when, as the
DP members board a plane, their adoring fans see them off with jeers and signs
reading "So Long Scared Patrol" and "Bye-Bye Cry Babies". But Robotman and
the others are mollified when the Chief reveals their destination-- not a
government hiding place, but an "impregnable fortress" on a Caribbean island,
previously prepared for just such an emergency, with its own nuclear power
plant and heavy weaponry, from which the DP can prepare its own counterattack
against Madame Rouge.

But once again Rouge-- and her new ally, Captain Zahl, a former Nazi U-boat
commander with his own longstanding grudge against Niles Caulder aka the
Chief-- seem to be a step ahead. They are lurking near the DP's new island HQ in
Zahl's submarine, and launch an attack before the DP can settle into their
new "fortress". A missile from the sub blows up the plane the DP just arrived
in. Zahl's frogmen from the sub attack on the beach, but are easily
defeated by an angry Robotman. But then Zahl surfaces the sub and launches a trio of
weapons specially designed to counter the DP's powers. A cannon blasts
Larry Trainor with irradiated sand, which at first seems harmless, but then Larry
finds "The sand blasted into your skin is completely radio-resistant! Your
Negative Man is imprisoned within you!" Elasti-Girl grows to giant size but
is trapped by a giant steel net which will not allow her to grow further and
which is too strong for her to break out of. (Why she can't *shrink* out of
the net isn't clear.) Robotman starts to free Rita from the net, but he in
turn is immobilized by a "magnetic charge" fired from the sub which
"permanently magnetized half of the tiny motors that activate you!" And so, with the
Chief helpless in his wheelchair, the Doom Patrol seems to be at the mercy of
Captain Zahl and Madame Rouge. But Zahl has a fate literally worse than
death in mind for our heroes....

The sneering ex-Nazi sub commander notes that what the Chief values most is
his reputation as a defender of common humanity. "You vould love to die for
'glorious mankind', ja? But vould you die for the smallest part of it? Vould
you die for a handful of stupid, ordinary men?" It seems that Zahl has
wired explosives to Codsville, Maine, "a small crumbling town in New England",
home to "14 useless fishermen! They die in two minutes-- or YOU do!" Zahl
holds one plunger which will blow up Codsville, and another which will destroy
the DP in their traps. The Chief must choose. Zahl fully expects which
choice the Chief will make, and then "Every vord we say is being broadcast to the
world! Ven you make der LOGICAL choice-- all vill know dot der great Chief
loves HIS skin first-- like any man!"

The Chief asks his DP comrades to share in the choice; shall they die for
"14 ORDINARY men-- STRANGERS to us"? "Strangers, Chief? Didn't you teach us--
ALL men are our brothers?", Negative Man replies. Elasti-Girl and Robotman
cite the Pilgrim Fathers and the "Hebrew children", once "ordinary men", now
figures of history and legend. And so the choice is clear. And now
dissension appears amongst the DP"s foes, as now Madame Rouge insists that the plan
was for the Chief, whom she once loved and perhaps still somehow does, to be
humiliated but not actually killed. Zahl is still convinced that the DP will
save their own skins, but he is proven wrong; "Here is our answer, Zahl!
FIRE AWAY!" "Fools! HEROIC FOOLS! So be it!" And, over Rouge's protests,
Zahl hits the plunger which causes the DP's island to blow up in a gigantic
explosion. Rouge screams, "You betrayed me! You killed heem-- a man who was
worth 100 of you!" "Stupid voman! What do I care for your childish love
affair! Even till der last minute he taunted me! But he vill not taunt me again!
Niles Caulder and his Doom Patrol-- are dead!"

Dead, perhaps, but not forgotten, as the news flashes around the world;
"Could all the super-deeds of this astounding group equal this single lesson in
courage?" The people of a tiny New England town agree, "Codsville is dead!
But our renamed village of FOUR HEROES, Maine, is just beginning! And we'll
make it one THEY could be proud of!" And the next day, Steve Dayton orders
his yacht close to the destroyed island despite the still "boiling ocean
floor", in order to drop a memorial flower into the water; "Goodbye, my love! This
is not your last resting place! Your shrine is within me!" And then Dayton
speeds away to begin a grim mission; "I'll spend every part of a billion
dollars to do it-- to destroy those who took her from me! NOT A SINGLE ONE
SHALL ESCAPE!" (Curiously, we don't see how the DP's one-time junior member
Beast Boy reacts to the loss. Perhaps it was thought at that point BB was a
better-ignored remnant of the team's "camp" era.)

The Doom Patrol seemed to react in an oddly passive fashion to the traps and
ultimatum of Zahl and Rouge. Certainly they had overcome worse dangers in
their career. And indeed, Boltinoff and Drake must have had some idea at
least vaguely in mind as to how the heroes could actually escape their apparent
doom. But whether they would get the chance, lay in other hands. For the
last panel, we return to Boltinoff and Premiani, as the Argentine artist asks,
"Then it IS true? They are dead? The Doom Patrol would never fight again?"
"It would take a miracle to change that ending, Bruno! A tougher job than
even the DP ever faced! And only you out there-- the reader-- could do it!
You always wanted to be a superhero didn't you? Okay, Charlie-- let's see you
try!" "THE END-- or IS it, CHARLIE?" This is followed by a truncated
half-page letter column. After a few comments on preceding issues, editor
Boltinoff addresses the readers again; "So where do we go from here, all you
disciples of the Doom Patrol? Do you believe that they must never be banished from
our midst, that theirs has been a soul-stirring, provocative, exciting and
unique contribution to comicdom, or do they perish with this issue, fade
ignominiously from the scene? Does it really make no difference, or will it feel
as if you suddenly lost five trusted friends? You, and only you and your
pals, have the answer, and that answer is in a sudden spurt in sales! So tell
your friends! Tell your enemies, even... to buy, BUY this issue.... or it's
bye-bye Doom Patrol!"

But if any readers respondied at the time, going out and buying multiple
copies of the issue or urging their buddies to buy copies, there apparently
weren't enough of them to make a difference. DOOM PATROL was cancelled and, for
the time being, stayed cancelled, and the DP members stayed apparently dead.
Almost ten years later, in 1977, a revived version of the DP started
appearing, in SHOWCASE and later in its own title, but Robotman (who was salvaged
and rebuilt by none other than the Metal Men's Doc Magnus) was initially the
only carry-over member. That revival series eventually mutated from a
conventional superhero series to a bizarre semi-absurdist series written by Grant
Morrison and others. I didn't really follow that series, but I gather that during
its course the Chief and the other original DP members were eventually
brought back to life, though in weirdly changed forms. Much more recently, the
Doom Patrol was "rebooted" by John Byrne, with the Chief, Negative Man,
Robotman and Elasti-Girl starting their careers over from the beginning, and the
original series, apparently including their "deaths", retconned out of DC
continuity. The new series wasn't a sales success (personally I thought it was
OK, and I didn't object to the retcon/reboot, but somehow it never quite
caught the spark of the original series) and was cancelled in its turn, but at
least the heroes survived the cancellation this time....

Doom Patrol #117, "The Black Vulture!"

DOOM PATROL #117; February 1968; DC Comics (National Periodical
Publications).  The cover scene (drawn, like several late DP issues, by Bob
Brown rather than interior artist Bruno Premiani) is dominated by the figure of
the wheelchair-bound Chief cowering away from the talons of a giant bird of
prey, while, in the far lower corner of the cover the three core DP members are
walking away; "You wanted to run the whole show, Chief?  Okay, the DP is
finished-- and you're on your own!"  Caption: "The DP has flown!  The
Chief is alone in the nest!  And circling above, waiting for the kill, is--
THE BLACK VULTURE!"

Review by Bill Henley

My last couple of
reviews have been of stories scripted by Arnold Drake during his brief stint at
Marvel in 1968-69.  I thought I'd do another review of a Drake story but
move backwards a bit to cover one of the later issues of the best-remembered
series Drake wrote for DC, the Doom Patrol.  In my opinion, though nearly
every installment of the original Doom Patrol was produced by the same team of
writer Drake and artist Premiani, the DP series went through three distinct
phases of quality.  From its debut in MY GREATEST ADVENTURE #80 through
roughly DP #98 (the DP title took over the numbering of MGA) DP was a pretty
serious and well-crafted series combining elements of traditional Silver Age DC
storytelling with the new Marvel approach.  Starting around issue #99, the
series adopted more of an over-the-top "camp" approach marked by the
introduction of often goofy teen character Beast Boy, lots more jokes and
wisecracks, and more ludicrously bizarre villains.  Then starting around
issue #113 or so, with "camp" wearing thin in the comics world at large, an
attempt was made to rein in the silliness and revert to the earlier, more
serious approach.  The attempt wasn't totally successful, but did produce
some more readable stories until the team and the series came to an end with
issue #121.

The splash panel is another scene of the Chief cringing from
an avian adversary, but here we see that the "Black Vulture" is not a real bird
but a man in a somewhat silly-looking but nonetheless flight-capable bird
suit.  "You're alone now!  And you're not The Chief any more! 
Just Niles Caulder, a lonely man in a wheel chair!   This is the
moment I've waited for!  The moment of THE VULTURE'S REVENGE!"  And a
caption tells us, "The word spread like fire throughout the city!  THE DOOM
PATROL IS FINISHED!  Broken beyond repair-- like Humpty Dumpty or a
two-dollar watch!  And as the fabulous freaks fled from their nest, a dark
shadow settled over the remaining figure, The Chief!  It was the shadow of
Death, but it flew upon the wings of THE BLACK VULTURE!"  (I commented in
my last review of CAPTAIN MARVEL #5 that Drake showed in his writing for Marvel
a tendency toward overwrought, purple prose.  That tendency is also present
here, though executed in a slangier manner.)  Traces of the camp element
are still present as the first story panel is of a hand offering the reader a
crying towel (marked "New York Mets," during a period when that team was the
doormat of baseball) if he missed "the last sensational issue".  A page
worth of synopsis tells us that The Chief, attracted to Madame Rouge, the female
member of the DP's archfoes the Brotherhood of Evil, has been trying to reform
the Madame through the use of subliminal messaging.  The attempt has
seemingly succeeded, as symbolized by the woman with the flexible body
fissioning into good and evil versions of herself and the good Rouge winning the
fight.  But the disembodied Brain, leader of the Brotherhood, is not
dismayed, telling the gorilla Monsieur Mallah, Madame Rouge needs us more than
she knows!  The evil which I carefully nurtured within her breast will not
remain asleep for long!  She will return to our loving nest!"


Meanwhile, the inclusion of Madame Rouge in the "nest" of the Doom
Patrol is not doing wonders for the team's unit cohesion.  The Chief and
the Madame are enjoying a peaceful and pleasant evening watching a roaring fire
together-- until they are disturbed by a loud banging on the door.  It
turns out to be Robotman,  who as a result of an otherwise undepicted
battle with "a maniac with an atomic ray," is hobbling around minus his right
arm and left leg.  In time past, The Chief would presumably have dropped
what else he was doing to help effect repairs.  but now he is so besotted
with Rouge's company that he just tells Robotman, "Please skip the gory
details!  There's a torch and a soldering iron waiting for you
inside!"  Then, when the energy-being Negative Man enters the room and
flies around trying to signal The Chief, our leader assumes that he's just
complaining because the kitchen is out of ham for his alter ego Larry Trainor's
nightly snack.  ""Sorry N-Man, but there's loads of salami!"  However,
when The Chief and Rouge themselves head for the kitchen to make some popcorn,
they find Larry there, nearly as battered and damaged as his metal
colleague.  It seems that Negative Man went up solo against some enemies
who pinned his human body underneath a block of lead which kept Negative Man
from escaping.  Then, when the energy man did manage to get through a crack
in the lead and flew back to DP headquarters to seek help, The Chief ignored
him.  Finally, Neg Man managed to lift the lead block himself (or itself),
but The Chief takes the incident lightly; "See, you didn't need us after
all!  You're getting to be very self-reliant!"

Some time, later, a
late-night phone call disturbs the rest of the remaining DP member, Elasti-Girl
(aka Rita Dayton nee Farr) and her spouse, Steve Dayton (aka Mento), "the
world's richest and angriest man".  Dayton is even more upset when the call
leads Rita to jump out of bed to try to prevent "the end of the Doom
Patrol".  "The sooner the better!", Dayton grumbles.  "I never liked
having to borrow my wife from them-- like a book from the library!"  Upon
reaching DP headquarters-- actually sooner, since she can "hear the shouting
from six blocks away"-- Rita finds that the team's usual bickering has reached
an unprecedented pitch.  Larry declares that his gratitude for The Chief
helping put his life back together is exhausted, and if The Chief himself no
longer cares about the Doom Patrol, neither does he!  Robotman blames
Madame Rouge and her distracting The Chief, suggesting that her appearance is
part of a Brotherhood of Evil plot to "bust us up1"  The Chief himself is
offended by Cliff's verbal attack on Rouge.  Rita tries to smooth things
over by reminding Cliff Steele how Niles Caulder saved his life by transplanting
his brain from a fatally injured body into a robot form, and how Larry was saved
from spending his life in a lead vault when The Chief found a way to enclose his
radioactive body in special bandages.  And she reminds the group of their
importance not only in fighting evil but in providing inspiration to "freaks"
and "outcasts".  "We gave some hope to every gimpy, hare-lipped, fat,
four-eyed kid in the world!"  (Rita might want to ease off on the
self-righteousness, considering she is the only DP member who is neither
disfigured nor handicapped.  And was Drake describing his readership in the
"gimpy, hare-lipped, fat, four-eyed kid" line?  If so, I resent it.  I
was never hare-lipped, anyway.)  The Chief doesn't help the situation by
hurling insults at the "primitive minds" of the two malcontents, and declaring,
"Apparently they don't need me-- and I certainly don't need them!"

Cliff
and Larry are not mollified by any of Rita's attempts at peacemaking, and after
threatening to commit "assault and beardery" on the Chief, they walk off and
split up with perfunctory farewells-- "Been good to know you,
robot-boddy!"  "So long, mummy-guy!", though clearly neither one has a clue
what to do with his life from here.  Meanwhile, Rita, now highly irritated
herself, gets in a cat fight with Madame Rouge, who disdains the childish
behavior of the two former DP members.  Rita may feel that way herself but
she's not inclined to take the supercilious attitude from the interloper Rouge,
and after The Chief tells both women to stop the "cheap melodramatics," both of
them walk out, leaving him alone.  "This is insane!  They're all
gone!  They've all left me!  I-- I-- I'm-- ALONE!"  But not for
long, Chief, as the bird-costumed form of the Black Vulture (who earlier was on
hand to watch Robotman and Negative Man walk away) is lurking just outside the
window.  And with a shrill "SCREEEEEE" whistle, the Vulture summons an
avian ally, a giant condor capable of carrying more than its own weight, to
crash through that window and seize The Chief!  But though abandoned and
lonesome, Niles Caulder is not altogether despondent or helpless.  He fires
a missile of some sort at the condor, but the bird grabs and lifts The Chief,
chair and all.  But The Chief gets a death-grip on the condor's neck (hey,
Chief, you better watch out.  Aren't condors an endangered species?)
declaring that "the power of that a man loses in his legs is transferred to his
arms (by) the law of natural compensation!"  This sounds like shaky
biology, but anyway, as his chair crashes back to the ground, The Chief manages
to hurl the condor against the floor and break its neck. 

But our
villain has more than one bird in the hand, as he sends a flock of hummingbirds,
capable of flying at 500 miles an hour and with poison-tipped beaks, to attack
The Chief-- whose chair, fortunately, is armed with a miniature rocket launcher
with electronic tracking equipment to stop the birds.  And so, declaring
that "we shall waste no more time with these preliminary bouts, Dr.
Caulder,"  the costumed Black Vulture crashes into the room himself. 
The Chief has no idea who this bird-brain is or why he is out to get him, but he
is prepared with another weapon from his chair, a sub-machine gun to kill the
Vulture before he can kill The Chief.  (Apparently, when you're not only
not super-powered but handicapped, and the bad guy specifically theatens your
life, the normal superhero inhibitions against killing a foe can be put
aside.)  Unfortunately, "The gun jammed!  I'd kill the idiot who
invented this thing-- except that I invented it!"  The Black Vulture swoops
around The Chief, coming closer with his "deadly talons," but The Chief speeds
through a door with his mobile chair and sends a "supersonic signal" to slam
down a protective metal doorway.  The Vulture counters by summoning a giant
eagle-- addressed as " Ahaku-- the great Thunderbird"-- carrying twin bombs in
its talons to smash through the door.  (The Black Vulture may look like
kind of a bozo, but his bird servants make Batman's foe the Penguin and his
bird-crimes look lame.)  The metal door is strong enough to resist the size
of bombs the Vulture is using, but The Chief is aware that if the Vulture
continues his assault, the door may be knocked off its tracks and out of
place.   At this point The Chief realizes that the "sensible thing"
would be to call the police for help.  But, assuming that the police would
call in his former partners, The Chief thinks, "That's an admission that I can't
draw a breath without the aid of the Doom Patrol!  The devil with
that!  I'll stand alone (presumably a figure of speech in his case)... or
fail!"

Meanwhile, we catch up with Robotman, walking the streets in
search of "a good robot hotel," and Larry Trainor, flying a jet over the city
because it is the only place far enough from people for him to partially unwrap
himself.  Robotman rescues a pedestrian walking into the path of a speeding
car, but berates the man for his carelessness and stupidity until he realizes
that the man is blind!  Embarrassed and ashamed, Robotman also realizes
that The Chief whom he abandoned is also handicapped and all but helpless (yeah,
right) and decides to go back and check on his former leader, though he hopes
Larry and Rita won't catch him "going soft".  And Larry reflects that maybe
he shouldn't blame The Chief for being obsessed with Madame Rouge, since
(apparently in some unspecified earlier story I don't recall offhand) Larry
himself was attracted to the mysterious Madame! 

Arriving back at
the DP mansion, Robotman observes the Chief's danger on closed circuit TV, and
decides he needs a weapon against the Black Vulture and his bird
battalion.  He grabs a seemingly appropriate object, a replica "Winged
Victory" statue.  But he and the statue are knocked over by the hurtling
Negative Man, for Larry has spotted Robotman slinking through the dark halls and
mistaken him for an enemy!  Robotman is undamaged, but both he and the
"gauze-faced goof" are delayed reaching The Chief to aid against the real
threat-- the Black Vulture, who has finally gotten through the metal door
guarding The Chief.  A "curtain of flame" across another doorway fails to
stop the Vulture, who flies through the flames at high speed, and it seems that
the villain will finally rake The Chief with his talons when Robotman and Larry
arrive on the scene!  Instead of Larry sending Negative Man against the
flying foe, for some highly unclear reason Robotman hurls Larry's physical body
against the Vulture!  As Larry clings to the veering villain, his extra
weight exhausts the Vulture's flying jets that aid his wings, and the bad guy
crashes to the floor and is knocked out.  But as Cliff and Larry start to
haul the Vulture to a cell, Elasti-Girl arrives back on the scene and she, like
Larry before her, makes a major misjudgment.  Thinking Cliff and Larry are
foes hauling the helpless Chief somewhere, she expands to giant size and swats
at them, knocking them over and giving the Vulture the chance to summon more of
his flying creatures.  "Oooo!  I could kick myself!"  " Don't
worry, sweetheart!  If we ever get out of this-- we'll do it for
you!"  To further embarrass herself, Rita screams in terror when she sees
that the Vulture's new minions are not more birds but a swarm of bats! 
"You tryin' to prove you're just a normal, fraidy-cat girl?"  (This was
fairly untypical behavior for Rita.  As I've commented before about the
Doom Patrol they were obviously a copy of, er, a homage to Marvel's Fantastic
Four.  But the characterization of the token female member was one area
where the copy generally improved on the original.)

The caption refers
to a "bat bat-allion" and says, "All true lovers of bad puns please
appreciate!"  (Upon rereading and reviewing this issue, I observe that the
"camp" element wasn't rooted out of these last few DP issues nearly as
thoroughly as I thought.) The bats set up such a barrage of sound waves that not
only are the DP members rendered helpless, but Robotman starts to shake

apart!  But the seemingly doomed Patrol gets another chance from the most
improbable band of rescuers I can think of (at least in this context) in a comic
story-- a band of horse-mounted, screeching, tomahawk-wielding American
Indians!  The Vulture cries out in fear and takes flight, but the Indian
leader (who is addressed as "White Feather," but doesn't seem to be the Inferior
Five member) leaps from his saddle and pulls the Vulture back to the
ground.  "Man, I pulled a real Custer!  I underestimated the
Indians!", says Robotman.  And now we finally learn what the grudge is that
sent the man known as the Black Vulture to try to destroy The Chief.  He is
really a man named Decker (no relation to Dwight, I imagine) and The Chief as
science maven helped use radioactive dating to stop Decker from making a
fraudulent claim to tribal land.  (And yet, once again, we see a comic book
super-villain using incredible high tech and extraordinary abilities to tangle
with the heroes, when he could have used his flying suit technology and
bird-training skills to get rich in some more legitimate way.)  When Rita
asks, "How your people gettum here so fast, White Feather?", the chief explains
that the tribe is rich from oil, and besides, he is a Cal Tech aerodynamics
expert with his own private jet!  (I have to suspect that this whole Indian
plotline, besides being highly politically incorrect by modern standards, was a
desperate last-minute inspiration by Drake when he realized he hadn't thought
either of a reason for the Vulture's villainy or a way to get the DP out of
trouble.)

"Finally, the swinging 'redskins' leave, but some red faces
remain..." as the four DP members confront each other;  "We've learned one
thing!  "We've gotta all hang together..."  "Or we'll all go
hang!"  The Chief insists that, if he is going to be the DP "father figure"
again, Madame Rouge gets to stay on "as long as she needs to". and the DP
members consent.

But as it turned out within a few issues, the
schizophrenic Madame Rouge was a threat to the team after all, and the end of
the Doom Patrol, narrowly averted this issue, came about in DP &121 (despite an
unprecedented on-panel appeal to the fans by the editor and artist to keep the
team and the comic alive by buying more copies).  But at least, instead of
an ignominious breakup, the DP stood together and went out in style as they
sacrificed their lives to save a tiny town of civilians. 

Doom Patrol #86, "The Brotherhood of Evil!"

THE DOOM PATROL #86 (formerly MY GREATEST ADVENTURE); March 1964; DC  Comics;
Murray Boltinoff, editor; featuring the DP versus "The Brotherhood of  Evil!"
in a story written by Arnold Drake and drawn by Bruno Premiani (the team 
that created nearly all of the Silver Age DP stories).  On the cover, the  four
members of the Patrol watch, fascinated, a TV screen (low-tech-- black and 
white) showing two of their enemies, a disembodied brain in a mechanical 
life-support setup and a gorilla carrying a submachine gun and wearing a  bandolier
of bullets.  "This is the ultimate mission for which I created  you-- the
destruction of the Doom Patrol!" the brain says through its mechanical  voicebox. 
"Summon the others!"  "Yes, master, I will obey!", the  gorilla responds.

Review by Bill Henley

The prominent appearance  of the Doom Patrol-- and their archfoes, the
Brotherhood of Evil-- in the past  two weeks' animated Teen Titans TV episode,
inspired me to pull out for this  review the first encounter between the Patrol and
the Brotherhood. It's also the  first issue of DOOM PATROL under its own
title.  For the previous six  issues, the DP had been the lead feature in the
former sci-fi/fantasy anthology  title, MY GREATEST ADVENTURE.  Evidently DC
decided the DP were popular  enough to carry their own title.  Besides, the title
MY GREATEST ADVENTURE  was kind of awkward for a comic featuring an ongoing
series.  If you figure  that "My" refers to the protagonists of the book, the
Doom Patrol, then the  implication is that the DP adventure in each succeeding
issue has to be  "greater" than all the ones before.  That would be quite a
challenge for  any creative team.

Instead of a standard splash page, the opening page of  the story is a
four-panel set of "capsule biographies" of the DP members.   Rita Farr, we are told,
saw "her brilliant Hollywood career ended" when "strange  volcanic fumes"
gave her to power to expand and reduce her body.  "In a  world that fears the
mysterious and unknown, Rita, now called Elasti-Girl,  became an OUTCAST!" 
(Nonetheless, I always figured Rita got a better deal  than the three male DP
members, since she was neither crippled nor freakishly  disfigured.  A later story
tried to redress the balance by establishing  that the volcanic fumes that
gave Rita her powers also shortened her  lifespan.  But not much was ever done
with that idea.)  Larry Trainor  became radioactive from "unidentifed solar
rays" but gained the power to  "release Negative Man, a radio-energy being that
moves at the speed of  light!  But Larry, too, is an OUTSIDER!"  (No, that's a
whole  different team, and it didn't come along for a couple of decades yet.)  
Cliff Steele, once a "wealthy international daredevil", saw not only his car
but  his body "totaled" in a racing accident, and only his brain survived to
be  transplanted by a "brilliant surgeon-inventor" into "a hulking metal and 
electronic form"-- Robotman.  "Thus was born another-- HUMAN EXILE!"   Finally
we have The Chief, the wheelchair-bound genius who "preserved" Robotman  and
brought the three DP members together under his leadership.  "But of  him,
almost NOTHING is known!  Now, these four exiles from the human race  dedicate
themselves to protecting the world that had once rejected them!"   A conventional
splash page appears on page 2, on which a giant red robot with a  man riding
in its transparent head holds the more compact Robotman in one fist  and is
preparing to seize the Statue of Liberty from its pedestal.   Elasti-Girl,
parachuting onto the scene, is astounded by the chutzpah of "the  Brain, the
guiding spirit of the Brotherhood of Evil"  "IT'S THE MOST  BRAZEN THEFT IN
HISTORY!" 

As our story begins, The Chief wheels  himself around the halls of the DP's
headquarters calling peevishly for his  three colleagues; "Where IS everybody
around this blasted place?"  Each of  the others, it seems, is engaged in a
different mysterious mission.  Larry  Tranor releases Negative Man and sends him
flashing at lightspeed around the  world to Egypt, where he grabs a chunk of
rock from atop the Great Pyramid (and  puzzles tourists who think they have
seen lightning in a cloudless sky).   Rita Farr goes shopping and is told by a
jewelry salesman there is no time to  get the item she has picked engraved, to
which she replies, "I'll take care of  it myself!", and, back at HQ, she
shrinks herself to tiny size to engrave  infinitesimal lettering on a tie clip. 
Robotman, on the other hand, is  frustrated; "Rita and Larry, with their
fantastic powers, will create wonderful  gifts!  How can I compete when I've got
nothing but these clumsy metal  hands?"  The next day, at the team's dinner table,
the three present The  Chief with a birthday cake.  They don't know if it's
actually his birthday,  since The Chief has kept all such personal information a
secret, even from the  DP, along with his original identity; but they've
decided to declare this day  his brrthday.  Larry's gift is a model of the Sphinx
carved from his piece  of the Great Pyramid.  (The Egyptian ministry of
antiquities might not be  as appreciative of Negative Man's bit of vandalism as The
Chief is.)   Rita's gift is the tie clip engraved in tiny print with The
Chief's attributes  spelling out his nom de guerre-- Courageous, Heroic,
Intelligent, Exasperating,  Fighter  The leader is touched as well as amused by Rita's
inclusion of  "exasperating".  Finally, Cliff  reveals his gift.  Attempting to
crib a trick from Superman (though this isn't mentioned in the story),
Robotman  took a big lump of coal down into the depths of a hot spring in an
attempt to  use the combination of volcanic heat and the super-pressure of his
robotic  hands, to squeeze the coal into a diamond.  Unfortunately, it turns out 
Cliff squeezed a little too hard.  "But I'll cherish that diamond DUST 
forever!", The Chief assures him.  Following the party, The Chief reflects  (with a
tear glistening at the corner of his eye) that by coincidence it really  was
his birthday...while Rita hints that she'd like to see the inside of  Negative
Man's metal-walled living quarters, but the hint is rebuffed.   Alone inside
his room, Larry mutters that if Rita actually knew why he wears  bandages and
lives within metal walls, "SHE'D NEVER WANT TO LOOK AT ME  AGAIN!" 

But enough with the festivities and soap opera.... the  action is about to
begin,as military authorities discover that two sealed train  cars containing a
secret, sealed cargo have been stolen.  The news dismays  The Chief, for the
contents of the cars were one of his own inventions, intended  to aid the first
astronauts on the moon, but now destined to be put to more  nefarious use. 
In Part 2, "The Trail of the Terrible Titan!" the giant red  robot, manipulated
by a man inside its transparent forehead, begins seizing cars  on a bridge
and bending the bridge itself into ruin.  The robot, calling  itself Rog, goes
on to commit other acts of seemingly motiveless destruction,  such as wrecking
oil wells.  "That big bozo hasn't stolen a thing!   All he's done is give a
bad name to us robots!", Cliff Steele gripes.   Landing a small plane on a dam
Rog is attacking, the DP come face to face (so to  speak) with Rog and discover
that the human driving him is one "Mr. Morden, a  one-man crime wave!  So
he's the one who stole Rog!"  (Much later, the  name "Mr. Morden" would be given
by writer J. Michael Straczynski to an even  more sinister character on the TV
series BABYLON 5.)  Under Morden's  control, Rog fires a heat-ray from its
"face", melting a wing of the DP's plane;  but, warned of this ability by The
Chief, Larry releases Negative Man who  extends his 'body" around Rog's head,
blocking the deadly beam.   Elasti-Girl then expands herself to give Rog the
chance to pick on somebody its  own size.  One might still wonder how the flesh
and blood Rita would fare  in hand-to-claw combat against the metallic Rog....
but we won't find out just  now, for Rog seizes Larry Trainor and Robotman in
its claws and Morden threatens  to crush them if Rita attacks.  You'd think
Robotman might not crush that  easy, but the human Larry Trainor is certainly
vulnerable enough, and a stymied  Rita is forced to make a deal that Rog and
Morden will be allowed to escape if  Cliff and Larry are released.  "For the
first time, the Doom Patrol must  retreat!" 

"Next day, at an exclusive girls' school in Paris," we  find the beautiful
though severe-looking Madame Rouge teaching a class in the  irregular French
verb "avoir".  But when she receives a message from her  "cousin Rog," she
quickly dismisses class in order to engage in far more  irregular doings, ushering
Mr. Morden into the presence of The Brain,  head  of the Brotherhood of Evil
"the most powerful crime syndicate in the  world."  Still blindfolded to keep
secret the way into the Brotherhood's  secret sanctum, Morden engages in some
flattery, saying he is "proud to stand  before the most notorious human of all
time."  But when his blindfold is  removed, even he is shocked to learn that
the word "human" is debatable, while  the name The Brain is all too literal--
for that is all that is left of the  criminal mastermind, preserved in liquid
and tended by machines.  "Is this  some morbid joke?"  No, says The Brain; his
body died, but his assistants  "preserved my genius-- my BRAIN!"  Duly
impressed, Morden offers the giant  robot Rog as his "membership fee" for joining the
Brotherhood.  The Brain  accepts, but points out that Morden and the robot
only fought the Doom Patrol  "to a standstill".  "ONLY?  No man ever did that
well against those  fabulous freaks!"  The Brain admits this, but says that when
Morden and Rog  face the DP again they will need the aid of another member of
the Brotherhood,  Monsieur Mallah, who has been waiting in the shadows. 
Morden is skeptical  that Mallah will be of any help, until the Monsieur steps into
the light and is  revealed as a gorilla, gifted by The Brain with
genius-level human intelligence  along with his natural strength and agility.  Recovering
his poise from  another shock, Morden apologizes, and the urbane anthropoid
replies, "No  apologies necessary!  Between us, we shall bring an end to the
Doom  Patrol-- and earn you full membership in the Brotherhood of Evl!"

Soon,  Morden, Rog and Mallah are sent off by The Brain to commit "the most
fantastic  crime ever committed!"  And what are the Doom Patrol doing in the 
meantime?  The Chief's "giant computer" has deduced not only that the goal  of
Rog's crimes is to win membership for its master in the Brotherhood of Evil, 
but has narrowed down  their next infamy to three possibilities.  And  so,
Robotman is set to guard one of the likely targets-- the Statue of  Liberty.  He
hits the jackpot, as out of a fogbank Rog appears, using a  pair of motor
launches as "water skis".  As Rog reaches to pull down the  giant statue, The
Chief, watching by television, realizes, "He's out to pull the  most brazen theft
in history-- so he can ransom it back for millions!"  He  summons Larry and
Rita to join Robotman in carrying out "Plan #3".  While  Negative Man flashes to
the scene and again blocks Rog's heat beam, Cliff  attaches a plastic
explosive device to Rog's foot.  But apparently Rog is  better built than even its
creator The Chief realized, for the bomb only twists  its metal foot a bit.  And
with sixty seconds past, Negative Man must  return to Larry Trainor to save
his life.  Fortunately, Elasti-Girl arrives  on the scene by parachute and,
growing to giant size, she lands a mighty kick on  Rog's "face" which disables
its heat-beam.  While giant robot tangles with  giant lady-- literally, snarling
Rita in her own parachute lines-- Monsieur  Mallah emerges from Rog's head
and takes on Robotman.  Rog grabs for the  statue, but Rita gains the upper hand
over the robot at last, lifting it over  her head and hurling it to the
ground, smashing the glass head from which Morden  controls the robot.  A defiant
Morden warns that Rog has planted a time  bomb at the base of the statue, and
Robotman seizes the bomb and attempts to  smother it with his metal body.  But
when the bomb fails to go off, the DP  realize that it is a decoy, a ruse to
enable the Morden and Mallah to  escape.  Back at DP headquarters, The Chief
notes that at least they  spoiled the Brotherhood's plan, but that Larry Trainor
nearly paid a high price  for the partial victory, since he kept Negative Man
out of his body almost long  enough to kill him.  "I'm okay now, except for a
nasty headache!"   Larry insists, but a solicitous Rita urges him to take
fewer risks; "If anything  happened to you, I don't know what I-- I mean, WE'D
do!"  But back in his  metal room, Larry is still convinced that if Rita saw his
unmasked face, "SHE'D  RUN FOR HER LIFE!"  "What is Larry's grim secret?",
the final caption  asks.  "How will the Brotherhood of Evil strike back?  Don't
miss the  next sensational DOOM PATROL issue!" 

The back pages of the issue  are filled by "A Medal for Go-Buggy 3!", billed
as a "Doom Patrol Special", but  obviously an inventory story left over from
MY GREATEST ADVENTURE.  Within  a few issues, the book would feature
full-length DP stories or backups   about individual DP members.  But in the meantime
this story drawn (and  signed) by Howard Purcell tells the story of Major Reed,
an astronaut who upon  splashdown in the space capsule Go-Buggy 3, is caught
in the vicinity of a  Pacific nuclear test and transformed into a bizarre
semi-humanoid tornado  creature.  Rescued, Reed is returned to the United States
and presented to  the world as a hero-- though he must remain hidden inside
Go-Buggy 3 until a  cure can be found.  But is it actually Reed?  No!  In
actuality  the man who underwent the strange transformation is Capt. Toji Nagawa, a 
long-lost Japanese naval officer stranded on the remote island.  Overcoming 
the real Reed, Nagawa is the one who potentially menaces the United States in 
his powerful tornado-form.  Resorting to drastic measures, the real Reed 
paddles a floating log to the area of another nuclear test (a lot of those  lately,
it seems) and allows himself to be transformed into another  tornado-creature
so that he can return home and battle Nagawa.  The two of  them battle
undersea and in midair until suddenly, fighting near the top of the  Washington
Monument, they both suddenly revert to human form.  Thinking  Reed and his
tornado-adversary have both perished, military authorities are  about to pin a medal
on his space capsule in his memory.  But the ceremony  is disrupted when the
real Reed, appears, along with a defeated Nagawa in tow,  having somehow
managed to get both of them down from the top of the  monument.  The general in
charge is pleased to pin the medal on Reed  himself instead of his spacecraft, and
Reed expresses the hope that on his next  mission, Go-Buggy 4 "tosses me into
a nice, safe orbit!"

The DP story is  reprinted, I believe, in volume 1 of DC's hardcover DOOM
PATROL ARCHIVES (is  there a second volume yet?)  The current rebooted DOOM
PATROL series  features a similar subplot of doomed love between Rita Farr and one
of the DP  members -- but in the Byrne series, it is Robotman she is attracted
to.   (But in the original series, she wound up sometime later marrying
neither  Negative Man nor Robotman but Mento, the millionaire with a helmet that
gives  him psychic powers-- who wound up replacing The Chief as DP leader in the
animated Teen Titans episode.)